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hardcore punk : ウィキペディア英語版
hardcore punk

Hardcore punk (usually referred to simply as hardcore) is a punk rock music genre and subculture that originated in the late 1970s. Hardcore punk music is generally faster, heavier, and more abrasive than regular punk rock. The origin of the term "hardcore punk" is uncertain. The Vancouver-based band D.O.A. may have helped to popularize the term with the title of their 1981 album, ''Hardcore '81''. Hardcore historian Steven Blush said that the term "hardcore" is also a reference to the sense of being "fed up" with the existing punk and new wave music.〔https://www.duo.uio.no/bitstream/handle/10852/26264/BrockmeierxDUO.pdf?sequence=1 p. 9〕 Blush also states that the term refers to "an extreme: the absolute most Punk."〔Steven Blush. ''American Hardcore: a Tribal History.'' Feral House, 2001. p. 18〕
The roots of hardcore trace back to San Francisco and Southern California.〔 The former arose as a reaction against the dominant hippie scene and was inspired by the New York punk rock and the early protopunk scene. New York punk rock had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy and subversive humor. Hardcore punk generally disavows commercialism, the major music industry and "anything similar to the characteristics of mainstream rock" and deals with social and political subjects.
Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Washington, D.C., New York, New Jersey, and Boston—as well as in Australia, Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated submovements, hardline and youth crew. Hardcore was heavily involved with the rise of the independent record labels in the 1980s, and with the DIY ethics in underground music scenes. It has influenced a number of music genres which have experienced mainstream success, such as alternative rock, grunge, alternative metal, metalcore, thrash metal, post-hardcore and certain elements of hip hop.
While traditional hardcore has never experienced mainstream commercial success, some of its early pioneers have garnered appreciation over time. Black Flag's ''Damaged'', Minutemen's ''Double Nickels on the Dime'' and Hüsker Dü's ''New Day Rising'' were included in ''Rolling Stones list of The 500 Greatest Albums of All Time in 2003 and Dead Kennedys have seen one of their albums reach gold status over a period of 25 years. In 2011, ''Rolling Stone'' writer David Fricke placed Greg Ginn of Black Flag 99th place in his 100 Greatest Guitarists list. Although the music genre started in English-speaking western countries, notable hardcore scenes have existed in Italy, Brazil, Japan, Europe and the Middle East.
==Characteristics==
An article in ''Drowned in Sound'' argues that 1980s-era "hardcore is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the DIY ethics". One definition of the genre is "a form of exceptionally harsh punk rock."〔The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company.〕 Like the Oi! subgenre of the UK, hardcore punk can be considered an internal music reaction. According to one writer, "distressed by the 'art'ificiality () of much post-punk and the emasculated sellouts of new wave, hardcore sought to strengthen its core punk principles."〔 Lacking the art-school grace of post-punk, hardcore punk "favor() low key visual aesthetic over extravagance and breaking with original punk rock song patterns."〔
One of the important philosophies in the hardcore scene is authenticity. The pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Joe Keithley, the singer for D.O.A. said in an interview that: "For every person sporting an anarchy symbol without understanding it there’s an older punk who thinks they’re a poseur."


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